Kaika, shot with Mamiya (Feb. 21, 2006): click for gallery

It felt good, and the results are pleasing. I dug out the Mamiya 645 camera earlier this week, half expecting to find fungus or something, not having used it in over a year. No fungus apparent, just a dead battery, which didn’t affect metering as there is none with the prism finder I have, but did necessitate being limited to a 1/60 shutter speed (with a dead battery, the shutter will only fire at 1/60). With my trusty analog Sekonic meter in hand, Kaika and I went for a walk around the neighborhood.

All of a sudden felt the tug of a big(ger) negative, and while I certainly have a much more solid 35mm camera than the Mamiya, probably due to size and the loud clang of the shutter, it somehow felt substantial, felt like an old friend (indeed, of all my current cameras, I’ve had it the longest). Getting the negs back tonight, more of the same. Tactile is a word that comes to mind.

Someone suggested family as a way to work through “photographer’s block.” Sally Mann or Friedlander I am not, but we’ll try not to get too hung up on the whys and wherefores for now. Didn’t realize until we were already outside that the wiping off of Kaika’s milk moustache from breakfast had been neglected. In lieu of a makeup artist, I left it as-is. It’s only really apparent in one photo.


2 Responses to Mamiya Milk Moustache

  1. Quinlan says:

    That’s a great series of Kaika! Nice!

  2. Dirk says:

    How’s it feel doing film after a while of digital?

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