On a small bridge in Iraq

Japanese writer Natsuki Ikezawa, together with photographer Seiichi Motohashi, has published a small book about his trip to Iraq last Fall, entitled “On a Small Bridge in Iraq.” An English version of the book is available online for free, in .pdf format (requires Adobe Acrobat), here. (It can also be purchased in print form for less than a 1,000 yen.) It struck me as a fair, balanced portrait of Iraq from an admitted tourist, which is a lot closer than most of us will get or be exposed to by the establishment media.

In Bagdad, in Mosul, in small towns whose names I didn’t even catch, I saw how the people lived. I ate their food, I talked with them, I watched as they cuddled their babies. I saw kids running around shouting. And I couldn’t think of a single reason why those children should be killed by American bombs.

(via Ken Loo’s World)

In a related vein, Baghdad Snapshot Action is a group of artists and activists in New York City who have been postering that city with images of ordinary Iraqi citizens, taken by American Paul Chan. The images are online in both color and black and white versions (.pdf files), which can then be printed out and postered in your town, should you choose to do so.

(via wood s lot)

Up up and away

Never heard of this before: kite aerial photography, that is, photos by Scott Haefner taken via a camera suspended from a flying kite and controlled using a model airplane radio controller. Some nice stuff, like this photo from high above of a swimming pool (not your everyday view, to be sure). Haefner also has a page of 360 degree panoramas. And he’s not shy about discussing his techniques or the equipment he uses either, which is nice to see.

(via Gleanings)

Before we go there again…

The Unseen Gulf War, photographs by Peter Turnley, at The Digital Journalist. Writes Turnley:

As we approach the distinct possibility of another war, a thought comes to mind. The photographs that I made do not, in themselves, represent any personal political judgment or point of view with respect to the politics and the right or wrong of the first Gulf War. What they do represent is a part of a more accurate picture of what really does happen in war. I feel it is important and that citizens have the right to see these images.

(Via PageCount)